A powerfully moving book that "could make graspable why today's prisons are contemporary slave plantations" (Alice Walker, author of The Color Purple), giving voice to the poorest among us and laying bare the cruelty of a penal system that too often defines their lives. Pulitzer Prize-winning journalist Chris Hedges has taught courses in drama, literature, philosophy, and history since 2013 in the college degree program offered by Rutgers University at East Jersey State Prison and other New Jersey prisons. In his first class at East Jersey State Prison, where students read and discussed plays by Amiri Baraka and August Wilson, among others, his class set out to write a play of their own. In writing the play, Caged, which would run for a month in 2018 to sold-out audiences at The Passage Theatre in Trenton, New Jersey, and later be published, students gave words to the grief and suffering they and their families have endured, as well as to their hopes and dreams. The class's artistic and personal discovery, as well as transformation, is chronicled in heartbreaking detail in Our Class. This "magnificent" (Cornel West, author of Race Matters) book gives a human face and a voice to those our society too often demonizes and abandons. It exposes the terrible crucible and injustice of America's penal system and the struggle by those trapped within its embrace to live lives of dignity, meaning, and purpose.

Twenty-five years ago, when Pat Robertson and other radio and televangelists first spoke of the United States becoming a Christian nation that would build a global Christian empire, it was hard to take such hyperbolic rhetoric seriously. Today, such language no longer sounds like hyperbole but poses, instead, a very real threat to our freedom and our way of life. In "American Fascists, " Chris Hedges, veteran journalist and author of the National Book Award finalist "War Is a Force That Gives Us Meaning, " challenges the Christian Right's religious legitimacy and argues that at its core it is a mass movement fueled by unbridled nationalism and a hatred for the open society.

Hedges, who grew up in rural parishes in upstate New York where his father was a Presbyterian pastor, attacks the movement as someone steeped in the Bible and Christian tradition. He points to the hundreds of senators and members of Congress who have earned between 80 and 100 percent approval ratings from the three most influential Christian Right advocacy groups as one of many signs that the movement is burrowing deep inside the American government to subvert it. The movement's call to dismantle the wall between church and state and the intolerance it preaches against all who do not conform to its warped vision of a Christian America are pumped into tens of millions of American homes through Christian television and radio stations, as well as reinforced through the curriculum in Christian schools. The movement's yearning for apocalyptic violence and its assault on dispassionate, intellectual inquiry are laying the foundation for a new, frightening America.

"American Fascists, " which includes interviews and coverage of events such as pro-life rallies and weeklong classes on conversion techniques, examines the movement's origins, its driving motivations and its dark ideological underpinnings. Hedges argues that the movement currently resembles the young fascist movements in Italy and Germany in the 1920s and '30s, movements that often masked the full extent of their drive for totalitarianism and were willing to make concessions until they achieved unrivaled power. The Christian Right, like these early fascist movements, does not openly call for dictatorship, nor does it use

physical violence to suppress opposition. In short, the movement is not yet revolutionary. But the ideological architecture of a Christian fascism is being cemented in place. The movement has roused its followers to a fever pitch of despair and fury. All it will take, Hedges writes, is one more national crisis on the order of September 11 for the Christian Right to make a concerted drive to destroy American democracy. The movement awaits a crisis. At that moment they will reveal themselves for what they truly are -- the American heirs to fascism. Hedges issues a potent, impassioned warning. We face an imminent threat. His book reminds us of the dangers liberal, democratic societies face when they tolerate the intolerant.

Chris Hedges's profound and unsettling examination of America in crisis is "an exceedingly...provocative book, certain to arouse controversy, but offering a point of view that needs to be heard" (Booklist), about how bitter hopelessness and malaise have resulted in a culture of sadism and hate. America, says Pulitzer Prize -winning reporter Chris Hedges, is convulsed by an array of pathologies that have arisen out of profound hopelessness, a bitter despair, and a civil society that has ceased to function. The opioid crisis; the retreat into gambling to cope with economic distress; the pornification of culture; the rise of magical thinking; the celebration of sadism, hate, and plagues of suicides are the physical manifestations of a society that is being ravaged by corporate pillage and a failed democracy. As our society unravels, we also face global upheaval caused by catastrophic climate change. All these ills presage a frightening reconfiguration of the nation and the planet. Donald Trump rode this disenchantment to power. In his "forceful and direct" (Publishers Weekly) America: The Farewell Tour, Hedges argues that neither political party, now captured by corporate power, addresses the systemic problem. Until our corporate coup d'etat is reversed these diseases will grow and ravage the country. "With sharply observed detail, Hedges writes a requiem for the American dream" (Kirkus Reviews) and seeks to jolt us out of our complacency while there is still time.

Revolutions come in waves and cycles. We are again riding the crest of a revolutionary epic, much like 1848 or 1917, from the Arab Spring to movements against austerity in Greece to the Occupy movement. In Wages of Rebellion , Chris Hedges- who has chronicled the malaise and sickness of a society in terminal moral decline in his books Empire of Illusion and Death of the Liberal Class - investigates what social and psychological factors cause revolution, rebellion, and resistance. Drawing on an ambitious overview of prominent philosophers, historians, and literary figures he shows not only the harbingers of a coming crisis but also the nascent seeds of rebellion. Hedges' message is clear: popular uprisings in the United States and around the world are inevitable in the face of environmental destruction and wealth polarization.Focusing on the stories of rebels from around the world and throughout history, Hedges investigates what it takes to be a rebel in modern times. Utilizing the work of Reinhold Niebuhr, Hedges describes the motivation that guides the actions of rebels as sublime madness" , the state of passion that causes the rebel to engage in an unavailing fight against overwhelmingly powerful and oppressive forces. For Hedges, resistance is carried out not for its success, but as a moral imperative that affirms life. Those who rise up against the odds will be those endowed with this sublime madness."From South African activists who dedicated their lives to ending apartheid, to contemporary anti-fracking protests in Alberta, Canada, to whistleblowers in pursuit of transparency, Wages of Rebellion shows the cost of a life committed to speaking the truth and demanding justice. Hedges has penned an indispensable guide to rebellion.

It is often said that war is hell. But for many of the people who experience war first hand--civilians and soldiers alike--it is an emotionally intense and even exhilarating experience. War is an intoxicating and addictive elixir. It gives us purpose, resolve, a cause. Chris Hedges, an award winning journalist for the New York Times, illustrates the complex dichotomy of war in the paperback reissue of the award-winning War Is a Force That Gives Us Meaning.
One need look no further than America in the days following September 11, 2001 to see the effects of war: how heightened our senses were, how every event seemed momentous, and how full of meaning our lives became. Such feelings, Hedges points out, are characteristic of war in general--as soldiers and civilians come to see themselves as part of a grand cause or nation, their lives take on a new vividness and a new meaning. Sometimes this leads them to do great things; sometimes it leads them to commit crimes. Based on the literature of combat and his own experiences in the Balkans, the Middle East, and Central America, Hedges challenges us to take a look at the spiritual and emotional costs of war.
War Is a Force That Gives Us Meaning is one of those rare books that transcends matter to offer profound insights into the human condition itself. Drawing on a lifetime's reading of literature and philosophy from Homer to Shakespeare to Erich Maria Remarque and Michael Herr, Hedges reflects on the impact of war on the ordinary individuals--a topic with a continued urgency for America today.

This poignant play, written by current and formerly incarcerated authors, uses gripping truths and soulful dialogue to reveal the human cost of America's for-profit justice system. The story follows Omar, pulled back into the prison system after trying to lift his family out of poverty, who struggles to maintain a sense of humanity while fighting to keep his loved ones close. According to NJ.com, "From institutionalized racism to addiction to the prison-industrial complex, this is a play about a great many large, pressing social challenges, but at its core it is a play about one family and its struggles to remain united as their world steadily crumbles. Impactful, warm, and unrelenting, this play that began as an experiment turns out to be an excellent examination of the human cost of a harsh and inhospitable world." All profits from the book will go to a prison re-entry fund run by The Second Presbyterian Church of Elizabeth, New Jersey to help the playwrights secure housing and continue their schooling upon release.

Named a Best Book of the Year by Amazon.com and the Washington Post Three years ago, Pulitzer Prize-winner Chris Hedges and award-winning cartoonist and journalist Joe Sacco set out to take a look at the sacrifice zones, those areas in America that have been offered up for exploitation in the name of profit, progress, and technological advancement. They wanted to show in words and drawings what life looks like in places where the marketplace rules without constraints, where human beings and the natural world are used and then discarded to maximize profit. Days of Destruction, Days of Revolt is the searing account of their travels.

We now live in two Americas. One,now the minority,functions in a print-based, literate world that can cope with complexity and can separate illusion from truth. The other,the majority,is retreating from a reality-based world into one of false certainty and magic. To this majority,which crosses social class lines, though the poor are overwhelmingly affected,presidential debate and political rhetoric is pitched at a sixth-grade reading level. In this other America," serious film and theatre, as well as newspapers and books, are being pushed to the margins of society. In the tradition of Christopher Lasch's The Culture of Narcissism and Neil Postman's Amusing Ourselves to Death , Pulitzer Prize-winner Chris Hedges navigates this culture,attending WWF contests, the Adult Video News Awards in Las Vegas, and Ivy League graduation ceremonies,to expose an age of terrifying decline and heightened self-delusion.

Doctors at War is a candid account of a trauma surgical team based, for a tour of duty, at a field hospital in Helmand, Afghanistan. Mark de Rond tells of the highs and lows of surgical life in hard-hitting detail, bringing to life a morally ambiguous world in which good people face impossible choices and in which routines designed to normalize experience have the unintended effect of highlighting war's absurdity. With stories that are at once comical and tragic, de Rond captures the surreal experience of being a doctor at war. He lifts the cover on a world rarely ever seen, let alone written about, and provides a poignant counterpoint to the archetypical, adrenaline-packed, macho tale of what it is like to go to war.Here the crude and visceral coexist with the tender and affectionate. The author tells of well-meaning soldiers at hospital reception, there to deliver a pair of legs in the belief that these can be reattached to their comrade, now in mid-surgery; of midsummer Christmas parties and pancake breakfasts and late-night sauna sessions; of interpersonal rivalries and banter; of caring too little or too much; of tenderness and compassion fatigue; of hell and redemption; of heroism and of playing God. While many good firsthand accounts of war by frontline soldiers exist, this is one of the first books ever to bring to life the experience of the surgical teams tasked with mending what war destroys.

Democracy is struggling in America--by now this statement is almost cliche. But what if the country is no longer a democracy at all? In Democracy Incorporated, Sheldon Wolin considers the unthinkable: has America unwittingly morphed into a new and strange kind of political hybrid, one where economic and state powers are conjoined and virtually unbridled? Can the nation check its descent into what the author terms "inverted totalitarianism"? Wolin portrays a country where citizens are politically uninterested and submissive--and where elites are eager to keep them that way. At best the nation has become a "managed democracy" where the public is shepherded, not sovereign. At worst it is a place where corporate power no longer answers to state controls. Wolin makes clear that today's America is in no way morally or politically comparable to totalitarian states like Nazi Germany, yet he warns that unchecked economic power risks verging on total power and has its own unnerving pathologies. Wolin examines the myths and mythmaking that justify today's politics, the quest for an ever-expanding economy, and the perverse attractions of an endless war on terror. He argues passionately that democracy's best hope lies in citizens themselves learning anew to exercise power at the local level. Democracy Incorporated is one of the most worrying diagnoses of America's political ills to emerge in decades. It is sure to be a lightning rod for political debate for years to come. Now with a new introduction by Pulitzer Prize-winning journalist Chris Hedges, Democracy Incorporated remains an essential work for understanding the state of democracy in America.

Acclaimed journalist and Pulitzer Prize winner Chris Hedges is one of the great moral voices of our age. He has the rare combination of decades of experience reporting from conflict zones in Central America, the Middle East, Africa, and the Balkans, and the erudition one would expect from a student of Christian ethics and the classics at Harvard University. He prizes the truth over news and facts. And in the pursuit of truth he has risked his career; even his life.
"I never sought to be objective," he writes. "How can you be objective about death squads in El Salvador, massacres in Iraq, or Serbian sniper fire that gunned down unarmed civilians including children in Sarajevo? How can you be neutral about the masters and profiteers of war who lie and dissemble to hide the crimes they commit and the profits they make? How can you be objective about human pain? And finally, how can you be objective about those who are responsible for this suffering?"
"The World As It Is" is a collection of Hedges essays originally published by Truthdig, the Webby Award-winning progressive news website. Hedges lyrically and fearlessly dissects the most controversial issues of the day: America's wars of self-destruction in Iraq and Afghanistan, the decay of American empire (at home and abroad), Israel's ghettoization of Palestinians in the West Bank and Gaza, and the failure of American liberalism. His essays draw on his extraordinary experiences as a journalist but also his conviction that the centers of power in America have been seized and hijacked by corporations, something the American media pays deference to.
"Because the press is not concerned with distinguishing truth from news, because it lacks a moral compass, it has become nothing more than courtiers to the elite, shameless hedonists of power and absurd court propagandists."
Chris Hedges insists that unless we begin to stand fast around moral imperatives, ones we cannot abandon and must be willing to fight the formal systems of power to advance, we will be complicit in our self-annihilation.

This poignant play, written by current and formerly incarcerated authors, uses gripping truths and soulful dialogue to reveal the human cost of America's for-profit justice system. The story follows Omar, pulled back into the prison system after trying to lift his family out of poverty, who struggles to maintain a sense of humanity while fighting to keep his loved ones close. According to NJ.com, "From institutionalized racism to addiction to the prison-industrial complex, this is a play about a great many large, pressing social challenges, but at its core it is a play about one family and its struggles to remain united as their world steadily crumbles. Impactful, warm, and unrelenting, this play that began as an experiment turns out to be an excellent examination of the human cost of a harsh and inhospitable world." For every print copy of Caged purchased from Haymarket Books through June 1, Haymarket will donate a copy of the book to prisoners and their families working with the New Jersey Scholarship and Transformative Education in Prisons Consortium (NJ-STEP). All profits from the book will go to a prison re-entry fund run by The Second Presbyterian Church of Elizabeth, New Jersey to help the playwrights secure housing and continue their schooling upon release.

From the "New York Times" bestselling author of "American Fascists" and the NBCC finalist for "War Is a Force That Gives Us Meaning" comes this timely and compelling work about new atheists: those who attack religion to advance the worst of global capitalism, intolerance and imperial projects.
Chris Hedges, who graduated from seminary at Harvard Divinity School, has long been a courageous voice in a world where there are too few. He observes that there are two radical, polarized and dangerous sides to the debate on faith and religion in America: the fundamentalists who see religious faith as their prerogative, and the new atheists who brand all religious belief as irrational and dangerous. Both sides use faith to promote a radical agenda, while the religious majority, those with a commitment to tolerance and compassion as well as to their faith, are caught in the middle.
The new atheists, led by Richard Dawkins, Christopher Hitchens and Sam Harris, do not make moral arguments about religion. Rather, they have created a new form of fundamentalism that attempts to permeate society with ideas about our own moral superiority and the omnipotence of human reason.
"I Don't Believe in Atheists" critiques the radical mindset that rages against religion and faith. Hedges identifies the pillars of the new atheist belief system, revealing that the stringent rules and rigid traditions in place are as strict as those of any religious practice.
Hedges claims that those who have placed blind faith in the morally neutral disciplines of reason and science create idols in their own image -- a sin for either side of the spectrum. He makes an impassioned, intelligent case against religious and secular fundamentalism, which seeks to divide the world into those worthy of moral and intellectual consideration and those who should be condemned, silenced and eradicated. Hedges shatters the new atheists' assault against religion in America, and in doing so, makes way for new, moderate voices to join the debate. This is a book that must be read to understand the state of the battle about faith.

In "Losing Moses on the Freeway," Chris Hedges, veteran war correspondent and author of the bestselling "War Is a Force That Gives Us Meaning," delivers an impassioned, eloquent call to heed the wisdom of the 10 Commandments. Celebrated for his courageous reporting on the crucial issues of our time, Hedges, who graduated from seminary at Harvard Divinity School, explores the challenge of living according to these moral precepts we have tried to follow, often unsuccessfully, for the past 6,000 years. The commandments, he writes, do not save us from evil. Instead they save us from committing evil.
Inspired by unyielding faith, rigorous moral scrutiny, and a fierce sense of social responsibility, Hedges offers a breathtaking meditation on modern life. "Losing Moses on the Freeway" illustrates how the commandments usually choose us -- and how we are rarely able to choose them. We cannot protect ourselves from theft, greed, adultery, or envy, nor from the impulses that lead us to commit evil acts. In honoring the commandments, we free ourselves from self-worship and are called back to the healing solidarity of community. It is in the self-sacrifice championed by the commandments that integrity, commitment, and, finally, love are made possible.

Twenty-five years ago, when Pat Robertson and other radio and televangelists first spoke of the United States becoming a Christian nation that would build a global Christian empire, it was hard to take such hyperbolic rhetoric seriously. Today, such language no longer sounds like hyperbole but poses, instead, a very real threat to our freedom and our way of life. In "American Fascists, " Chris Hedges, veteran journalist and author of the National Book Award finalist "War Is a Force That Gives Us Meaning, " challenges the Christian Right's religious legitimacy and argues that at its core it is a mass movement fueled by unbridled nationalism and a hatred for the open society.
Hedges, who grew up in rural parishes in upstate New York where his father was a Presbyterian pastor, attacks the movement as someone steeped in the Bible and Christian tradition. He points to the hundreds of senators and members of Congress who have earned between 80 and 100 percent approval ratings from the three most influential Christian Right advocacy groups as one of many signs that the movement is burrowing deep inside the American government to subvert it. The movement's call to dismantle the wall between church and state and the intolerance it preaches against all who do not conform to its warped vision of a Christian America are pumped into tens of millions of American homes through Christian television and radio stations, as well as reinforced through the curriculum in Christian schools. The movement's yearning for apocalyptic violence and its assault on dispassionate, intellectual inquiry are laying the foundation for a new, frightening America.
"American Fascists, " which includes interviews and coverage of events such as pro-life rallies and weeklong classes on conversion techniques, examines the movement's origins, its driving motivations and its dark ideological underpinnings. Hedges argues that the movement currently resembles the young fascist movements in Italy and Germany in the 1920s and '30s, movements that often masked the full extent of their drive for totalitarianism and were willing to make concessions until they achieved unrivaled power. The Christian Right, like these early fascist movements, does not openly call for dictatorship, nor does it use
physical violence to suppress opposition. In short, the movement is not yet revolutionary. But the ideological architecture of a Christian fascism is being cemented in place. The movement has roused its followers to a fever pitch of despair and fury. All it will take, Hedges writes, is one more national crisis on the order of September 11 for the Christian Right to make a concerted drive to destroy American democracy. The movement awaits a crisis. At that moment they will reveal themselves for what they truly are -- the American heirs to fascism. Hedges issues a potent, impassioned warning. We face an imminent threat. His book reminds us of the dangers liberal, democratic societies face when they tolerate the intolerant.

Best-selling author and Pulitzer Prize-winning journalist Chris Hedges and journalist Laila Al-Arian spent the past year interviewing over fifty veterans to expose the patterns of the occupation in Iraq. The testimonies of these soldiers--many of who remain deeply traumatized by their experiences--uncover how the very conduct of the war and occupation have turned the American forces into agents of terror for most Iraqis.

"Collateral Damage" is organized around key military operations--Convoys, Checkpoints, Detentions, Raids, Suppressive Fire, and "Hearts and Minds." Military convoys traveling at tremendous speeds through towns have become trains of death. Civilians are routinely run over or shot to death. Soldiers fire upon Iraqi vehicles with impunity at checkpoints. Late-night detentions based on shoddy intelligence terrify women, traumatize children, and radicalize the young men caught in their dragnet.

These soldiers have found the moral courage to speak out about the true nature of a war that has become one long, unchecked atrocity, and has given rise to the instability, sectarian violence and chaos that we witness today in Iraq.

For decades the liberal class was a defense against the worst excesses of power. But the pillars of the liberal class-- the press, universities, the labor movement, the Democratic Party, and liberal religious institutions--have collapsed. In its absence, the poor, the working class, and even the middle class no longer have a champion.

In this searing polemic Chris Hedges indicts liberal institutions, including his former employer, the "New York Times," who have distorted their basic beliefs in order to support unfettered capitalism, the national security state, globalization, and staggering income inequalities. Hedges argues that the death of the liberal class created a profound vacuum at the heart of American political life. And now speculators, war profiteers, and demagogues-- from militias to the Tea Party--are filling the void.